Maori orators, when addressing an assembly of people, often broke into song, in which case those members of his clansman who were acquainted with the song would arise and join in the singing. Many of the native songs are marked by pathos and sadness; others by hatred, contempt, and other emotions; but the humorous song was not a common Maori production. A few short effusions of the umere type betokened joy and satisfaction, though such feelings were not expressed in the words in manner European.
Euphony was ever sought by song-makers, and was sometimes acquired by lengthening or shortening words, by long-drawn vowel sounds, and suchlike alterations.
In Maori songs we meet with most interesting concepts and idioms, with quaint mythopoetic ideas, and pathetic farewell directions to the spirits of departed friends. One of the most peculiar songs ever composed by natives was a lament for a defunct pig that died many years ago in an East Coast hamlet.
It was the first pig acquired in those parts, and so was made much of; its death was mourned by a wide circle of friends, and a special dirge was composed in its honour. Another native song on record bewails the loss of an eel-pot; another the grief of a fisherman who had lost his fish-hook; and yet another voices the plaint of a man afflicted by skin-disease.
No occurrence was too trivial, apparently, to claim recognition in song. At the present time many of the songs composed, such as laments for the dead, consist largely of extracts from old songs. Many songs commence with some reference to the heavenly bodies, as in following examples:—. Yonder the Evening Star rises. Descend, O Sun! Sink into the abyss.
In connection with time-songs, chants calling for united action, such as hauling a canoe, as also songs accompanying certain posture dances, the fugleman was much in evidence. It is a peculiar and interesting fact that barbaric man utilizes song much more than does civilized man, and anthropologists tell us that poetry was the natural utterance of any strong emotion among such folk as the Maori, and even others occupying lower stages of culture. We know that in former times the Maori was wont to intone his remarks under circumstances wherein we employ the most matter - of - fact tones.
Thus prose and poetry were not divided, as with us; they coalesced, as it were.
The musical instruments possessed by the Maori were but simple types, consisting of two short forms of flute, one of which was used as a nose-flute, and a longer instrument termed a pu torino. Concerning the latter instrument we have but little information, but the short mouth-flute, termed a koauau , is better known. The Maori had not evolved any string instrument, unless the ku was a genuine native instrument.
His wind instruments were the ones already mentioned and two rude forms of trumpet. One of these was made by attaching a mouthpiece to a Triton shell, which are occasionally found in the northern part of the North Island. These shell trumpets are known as pu tatara ; while the pu kaea is a long wooden trumpet made in two pieces and neatly bound with pliable stems of a climbing-plant. These two forms of trumpet produce a doleful and unmelodious hooting sound; they were used for signalling purposes, as in time of war.
Carved wooded nguru , or nose-flute, in British Museum on right. The Maori has not shown any desire to adopt even the simpler forms of our stringed instruments, and his attention has been principally confined to the jew's-harp, concertina, accordion, and mouth-organ. Middle Africa. Northern Africa. Southern Africa. Western Africa. Central America.
Northern America. Southern America. Central Asia. Northeast Asia. Southeast Asia. Southern Asia. Western Asia. Eastern Europe. Northern Europe. Southern Europe. Western Europe.
Thirty campsites are available, with bookings essential. Accessible only by boat or on foot via the Tarawera Trail.
The campground is at the end of the Tarawera Trail. Cooked in the bubbling geothermal waters and steam of Whakarewarewa Valley, the hangi is unique and delicious. For a modern take on this traditional meal, why not try our world-famous hangi pie — a truly unique kiwi combination of food!
Traditional Songs of the Maori is the classic collection of Māori waiata. As part of a deliberate campaign to revive Māori music and culture in the early 20th century, Āpirana Ngata invented.
The Whakarewarewa Maori Cultural Performance. Daily performance Timetable Cultural performances at Whakarewarewa Our twice-daily Cultural Performances pay tribute to the legacy of performing arts of our ancestors. Haka on the world stage New Zealand has grown up immersed in haka since early encounters between Maori and the early European pioneers, when haka was used as part of the formal process when two parties came together.